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Future Project

Hey Readers!

I hope everyone has been keeping up with their reading goals this year! I haven’t… but that’s okay! Those books aren’t going anywhere, and will always be around when the time is finally right. It seems like the only thing I have time for these days is listening to a chapter of an audio book during my commute to work, or taking in a few pages at 4am before heading out the door. It’s at least something so I can’t complain.

Life has kept me on my toes recently for sure. Between juggling 3 kids, becoming an owner at Mad Goat Coffee, and just the day to day challenges that come with life, it’s easy for hobbies like reading (writing for me) to fall to the side for a brief time. There’s an old gamer saying: Real life always comes first. That’s something that remains true no matter what your hobbies may be. There’s nothing more in this world that I love more than spending time with my family, even if it takes away from writing. Those two things just don’t compare. But I’m still a writer at the end of the day!

Of course, those of you who may know a writer will know that writing simply isn’t just the act of putting words on paper. No, it’s SO much more than that. Between brainstorming story ideas, world building, fleshing out characters, the entire process goes far beyond sitting at the computer. The process of writing a novel is just as many hours thinking about the damn thing as it is actually writing which I feel like is a part of the process not many people talk about. However, I pride myself on being a present father, and I will actively avoid any thought of anything outside of that moment with my kids. It’s all about balance, right?

Now that my youngest is growing like a weed, and actually letting my wife sleep a little bit, I feel the stories creep back into my thoughts. This is a great sign for me. I listen pretty closely to myself, and when the characters start wanting their stories heard, that means I’m almost ready to start putting words down on paper, starting the journey anew. Even though I’ve been on a bit of a hiatus from writing, I couldn’t help myself from dabbling in some outlining on a few projects that I’ve put on hold. Do I have three novels fully outlined? Maybe… Will I have time to write them all? Absolutely not. But that’s okay! Those stories will be told one day, and find themselves tucked nice in cozy on your bookshelves some day.

Now, what to expect in the future from this small time author living in the midwest? Nothing any time soon, but the time has almost come to expand upon the Starbound Ascension series! I’m torn between pushing the story of Locilette into his next phase or touching on the various other happenings across the galaxy. The possibilities are seemingly endless of what Starbound Ascension can offer, which was my biggest reason for spending several months world building it. From hunting down galactic serial killers to protecting a farm on a colonial world, to even dealing with a plague arriving from another distant galaxy, the stories I have shaping up for this series keeps me plenty distracted while I’m at work.

That being said, I was certain that my next novel wasn’t going to be a SBA book, but I was wrong. I have an overwhelming desire to push the narrative of that universe forward any way I can, and that’s what I’m going to do. I’m not going to announce what the novel is anytime soon, but the next novel I release WILL be a new Starbound Ascension novel. I’m super excited to continue on with this series that has captured my imagination like nothing else has up to this point, and I’m very thankful for all of your dedicated readers who has followed me on this incredible journey. I hope you enjoy these dark and mysterious tales, because more are on the way!

Follow along here at the Dark and Mysterious blog for the latest writing shenanigans and more on your favorite novels!

–John McCool

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Starbound Ascension Lore: Money

The Universe of Starbound Ascension Lore

Money, money, money.

With the universe of Starbound Ascension in its publication infancy, I think it would be cool to showcase some of the lore touched on in the current novel and ones in the future as well. See, I’m a bit of a lore nerd. I remember a few years back staying up a full night studying the expansive and deep lore of Warhammer 40,000, and my God is that deep. That and the intoxicating lore of the Elder Scrolls just sent me down a deep rabbit hole that I simply couldn’t get enough of. The weird thing about lore in a sci-fi universe or a fantasy world is that it’s hidden under the surface most of the time. Unless you want, more times than not you’re never going to know. That’s what makes it so intriguing.

Perhaps it’s just with bigger franchises like the ones I previously mentioned, but for me I like to know the smallest details of the worlds I’m stepping into. Especially ones that I fall in love with. Starbound Ascension is only one novel deep at the time of this post, but goodness do I have lore written up enough to fill three to four. Any author or DM/GM of sci-fi and fantasy can relate. Building a complete world from the ground up is truly one of the best parts about the process, and for me, becomes a bit of an addiction.

Anyway, to kick off this lore we’re going to dive a bit into one of my favorite discussions. Economics! Nahh, I’m not going to bore you. We’re just going to talk about the main currency of the expansive Arkaan Empire: Astrids.

Astrids are paper notes with holographic designs printed on them detailing their stated worth. Each note is infused with trace amounts of asteroids with the specific compound mixture only found in the home Arkaan system. This currency system not only lessens the ability of creating forgeries, but maintains the value of each note by the limited resource of asteroids in the home Arkaan System. A simple, yet effective way to manage the economic flow of an inter-galactic civilization.

With a free market system such as one present in the Arkaan Empire, Astrids exchange hands for endless amounts of reasons that mimic our own. Work salary, paying for dinner, even as gifts, everyone loves money- everyone loves Astrids. Having a solid currency for the exchange of goods and services is the foundation to any state throughout history, and even more so in the universe of Starbound Ascension. Acquiring wealth has pushed society to bigger and better for thousands of years, and that will forever remain true. With a proper moral compass and endless opportunity there’s always the ability for a rags to riches story within the Arkaan Empire.

Now, there’s other species and factions within the galaxy where our stories take place, but they haven’t made themselves known yet on paper. Each one has their own system of value and “currency” that pushes them like any other. Only future adventures within the Starbound Ascension universe will reveal that!

Be sure to subscribe to the Dark and Mysterious blog as well as follow along on Instagram for book giveaways and other cool stories!

–John McCool

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There Came A Knocking Publishes Tomorrow!

Tomorrow is publication day for my new novel “There Came A Knocking”!

I’m so excited to finally get this awesome work out to all of you incredible readers. I’ve put so much love into this, and painstakingly brought the retro feel of 1980’s slasher thrillers back to the literary world. The campy slasher genre has disappeared as of late leaving, what I would argue, a void that hasn’t been filled by much of anything substantial. My hope is that this novel can revive some peoples’ interest, and reignite the silliness that comes with it.

Now, what do I mean by silliness? It’s all about the gimmicks and the HORRIBLE decisions that our poor unsuspecting character make within the horrorscape that we as authors create. Think about some of the best slashers out there! The combination of an interesting gimmick and the complete absurdity of characters’ choices to go into the dark basement when you as the reader KNOW there’s something fishy going on down there. It’s almost satisfying to see a clearly dumb move be punished by something you’re mentally telling the character not to do. That’s party of the joy of the genre!

Think of some of your favorite movie slashers and really think of their gimmicks. Ghostface has the ghost mask and hunting knife, Jason has the hockey mask and giant machete, Freddy Krueger has the burned body with the finger blades, and Jeepers Creepers has his hate and coat to cover his demon body. The gimmicks are the key to creating a memorable antagonist in these stories, and it’s something I find so much fun in creating. The best part is coming up with something so absurd, give it to someone with murderous intent, and let them loose into the worlds of the page.

In some ways one could compare the slasher horror/thriller genre to that of romantic comedies. The stories are so full of absurdly exaggerated events that lead the characters to make choices that one would never do in real life. Do you think the hot cowboy billionaire is gonna choose the city girl that has nothing much to give him? Yeah, probably not. Do you think that rummaging around in a dark creepy shed behind your house while you’re being stalked by a serial killer is going to result in anything except you being stabbed? Yeah, you get my point.

This genre is so dear to me, and offers so many great stories that keep you looking over you shoulder as you walk through your house at night. did you check if your door is locked? Better go double check, who knows who could out there. “There Came A Knocking” has a slasher with a killer gimmick that would make you question if his motives blur the lines between what is morally right or wrong. Or maybe you will just see him as a monster that he is to so many unfortunate people. That conclusion is completely up to you! I look forward to hearing what all of you amazing readers have to share about it in the coming weeks post publication.

Thank you all so much for coming on this journey with me, and I look forward to all of you coming a knocking with me!

–John McCool

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Does anyone actually read screenplays?


This is the question I’ve been asking myself over the past year. So, a little backstory on me. I actually began my writing journey as a screenplay writer back in 2016. Of course I’ve written things before then, being short stories and stuff, but my first REAL work was in writing for the silver screen. Or the little screen you hold in your hand everyday, and are most likely using to read this very post. Anyway, I wrote several screenplays to ship around to film festivals, and some of them actually did quite well. In fact, some of my readers might be familiar with The Ruse. I loved that story so much that I produced a print edition with added extras like commentary and an exclusive short story for it.

So, I was going over my website the other day, and a question materialized in my head. The exact same question I proposed at the beginning of this post. Does anyone actually read screenplays? The answer, come to find out, is like 95% no. Now, this isn’t to discourage any would be screenplay writer, because that is absolutely NOT why I’m here. It all has to do with the target audience, right?

Who would you say is the target audience for your screenplay?

1) Actors looking for practice.
2) Producers that you’ve pitched the script to.
3) Other screenplay writers.
4) Film festival judges.

That’s it.

This isn’t necessarily a bad thing though. If you have a love and a passion for screenwriting, then you already know that your future belongs in the hands of the festival circuit. Submitting my work to a film festival is truly some of my most exhilarating and exciting memories as a writer, and it’s going to be something I look forward to more in the future. However, the common reader or follower of your work more than likely isn’t into such a format. AND THAT”S OKAY. We write depending on the people who we wish to share our work with, and I’ve found over the years that leaving screenplays sitting dormant on my website is just a waste of space. Every bit of writing has its place and its proper location!

I’ve recently redone my website to accommodate this transition to a more traditional format. If I do get lucky enough to get something produced, or produce it myself, I’m going to 100% publish the script alongside the produced product. I’m a huge fan of reading scripts after I listen to an entrancing audio drama, so it would be quite the shame if I didn’t follow that same release format. Did I just admit to working on audio plays? Maybe…

Regardless of who your chosen audience is, go out there and follow your dream no matter what. Write that screenplay you’ve had an idea for, and send it out to every festival imaginable! Those are your people!

– John McCool

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Similar Story Devices In Anime and Wrestling

There’s a little exercise I like to do when I am consuming any type of fictional media. It’s very rare these days that I get a break long enough to enjoy other people’s work, but when I do, I like to analyze story elements within the writing. Now, this is just purely from a writer’s perspective, I could go all day about symbolic imagery film makers use in their work, but that’s a post for another time.

As I’ve gotten old, and further along in my writing career, I’ve noticed two similarities in the storytelling structure of two forms of fiction that are so dear to me growing up: Anime and Wrestling. Now, on paper these two are polar opposites. One is written for animators and voice actors to perform, while the other is a live action 360 degree theatre performance. Each has such unique ways of progressing a story technically, however I’ve started to identify similarities within the two from a story structure standpoint.

A common story note within the two are the use of factions to progress a story line with more than six characters. It’s simply the easiest way to involve multiple unique characters without having the need to necessarily build a deep lore for every single one of them. Notable examples are the Usos in WWE. They are an amazing faction, but them by themselves is less than spectacular. Jimmy Uso has no lore to him, Jey has a little bit, and Solo is nothing more than a modern retelling of the old Umaga character from the Ruthless Aggression era of the WWE. In anime there is no better example than the Z Fighters from Dragonball Z. The decision from the great Akira Toriyama to group the weaker members of his cast into a faction rather than having them forced alongside the main cast was a perfect example of how to use side characters. Characters such as Krillin, Tien, Yamcha, Goten, and Trunks just simply can’t carry the weight of the story as individuals, but as a team, they are perfect for expanding the overall chaos of the troubles the cast as a whole faces.

Now, this doesn’t mean that eventually a side character can’t be moved into a lead role. With Jey Uso in the WWE, he actually had a championship opportunity against the future leader of his faction, The Bloodline, before losing that, and eventually going on to join him. Even now as we start this season of WWE post Wrestlemania, we see Jey still a front figure in the Bloodline/Sami Zayne storyline. In Dragonball Z we see characters all the time get upgrades to their abilities which pushes them up the ranks of the cast. Piccolo is a recent example of a faction based side character making a big push for the spotlight in the newest movie, which I thought was an excellent idea, and a great use of such a foundational character to that franchise.

Another similarity between the two is the age old use of Hero versus Villain story structure. In Wrestling there’s actually technically terms used in the industry to identify the hero and villains of certain storylines. The hero is more commonly referred to as a “Baby Face” and the villain is referred to as a “heel”. Now, the heel term makes sense to me, but I never understood the baby face title, but I’ve never been in the Wrestling industry, so pardon my ignorance. The writing is usually pretty straight forward. The heel is doing some sort of injustice or has personally harmed the baby face kicking off the story line with their clear roles defined. The baby face is most of the time an underdog having to grind their way to the top in order to face off against the heel in an epic conclusion at the next major event show.

In anime, it’s quite clear story wise who the hero and villains are. Your hero is always going to be the main character of the show with the villain being introduced a little ways on. Like Wrestling, the hero will have to grind their way to the top in order to face their villain in an epic conclusion at the season’s end. The final confrontations are usually written as an event within the season to allow most plot points to be resolved for most characters to make way for new stories in the next season. These events are more subtly placed, because unlike Wrestling they don’t have flashy graphics displaying the name of said event with whoever is headlining it. However, if you analyze your favorite anime near the end of the season, it’s quite obvious where major resolution events begin. The most extreme example I can think of is Naruto Shippuden. The resolution arc starts as soon as the final battle of the Great Ninja War begins which ends up being like a 30 episode event.

One of the last major crossovers, and honestly most fun in my opinion, is the use of character gimmicks. This is so fundamental to both forms of media that without it? They just simply wouldn’t be what they are today. The list is actually endless is you look at all the unique characters that have come and gone in both the wrestling ring, and the hundreds of anime shows out there. The use of gimmicks allows writers to bring an unrealistic flavor to a character in order to make them more memorable. For example, in WWE my favorite wrestler of all time, Edge, debuted in a faction called The Brood. Again, we see that use of faction building to introduce characters. The Brood was actually a faction that claimed to he vampires, and would enter the ring by rising from flames in an epic visual display of pyrotechnics. The leader of the faction would literally come out with a grail of liquid that looked like blood, and spit it in the air before entering the ring. It was truly epic, and made all three members of the faction stand out. This unique gimmick made two of those three skyrocket to superstar stature, and catapult their careers.

In anime, gimmicks can be placed as either physical or in terms of personality. In Zoids we are introduced to the series’ female lead who’s gimmick is she is a race of ancient people who have the ability to manipulate the robotic Zoid creatures that roam the lands. In My Hero Academia, our main character’s name is Deku which is actually a derogatory name given by the series’ anti-hero. The word Deku actually means “good for nothing” which follows the character’s upbringing as someone who has no super powers in a super powered world He actually accepts the name, and wears it as a badge of honor in this awesome twist on the gimmick. Not many people would adopt a potentially harmful name, so carrying that gimmick is such an awesome change for a main character.

For storytellers like me, it’s very interesting to identify story devices that appear in multiple fictional media. It’s a fun experiment that I would encourage any storyteller to try no matter what your preferred form is. Any of these lessons can be learned and applied to anything you write! While you’re enjoying your favorite TV show, try and pay attention to the actually writing of it, and see if you can compare it to a completely different form of media. You’ll be pleasantly surprised.

John McCool

Photo Credit: WWE

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Are Chapters Getting Shorter?

Has anyone noticed an interesting trend in literary fiction lately, or am I going crazy? On a routine supply run to a local chain grocery store for the coffee shops I manage, I usually take a few moments to browse the latest books. They have one of the better book sections compared to other chain department stores, so it always feels like a treat when I can take a looksie.

One of the greatest things to do when browsing books is, of course, flipping through the pages, and taking in the wonderful world the author has created. However, there seems to be a trend that I noticed a few months ago, and has persisted with every new release that I’ve flipped through

Are chapters getting shorter?

Now, hear me out. I am actually a fan of this structure for reasons I’ll get into later. I feel like it’s more manageable from a writing perspective, because instead of cramming so much information and progression within one single chapter, the author is able to keep the story moving at a more organized pace. I could argue that a lot of the times an author will use scene breaks to allow the reader to take a pause at the story’s progress, but in my opinion it feels so much more natural to end the chapter, and start a new one at a new scene. Don’t take that as I’m and anti scene break author, because I’m not. I use scene breaks all the time, I just feel in a contemporary sense that starting a new chapter is far more efficient.

So, what do I mean by being more efficient? In the outlining phase of any story, the author does a few things to keep organized well before fingers start clacking away on the keyboard. Some authors make plot points, some make a flow map, some just keep sticky notes everywhere, and some make a description for every single chapter. I am the latter. With this in mind, my chapters are already broken down into scenes. The exception being a change in perspective within the scene which I do several times in my current work in progress. The same events are happening within said scene, but the point of view switches to a different character.

I’m privileged to have the mind of a writer, so as I flip through the pages of new releases, I’m quite confident I know the reason why. I’ve had some of my fellow authors during discussions complain it is because the attention span of readers are shortening with the rise of Tiktok and other quick hit fiction. This is certainly true. However, it also makes the workflow of the author so much easier, so it’s a trend I’ve gladly accepted.

Compared to the fantasy novels of the 80s and 90s that hosted like 7,000+ word chapters, we are now seeing this trend take over modern fantasy authors churning out 1,500-3000 word chapters. This is completely fine and welcomed to not only the author in me, but the reader in me as well. I no longer have the time to sit on a late afternoon and consume an entire novella length chapter like I could in my younger years. Having these shorter chapters makes it easier to feel like, as a reader, you are making good progress, and are able to have multiple stopping points during your limited reading session. Nobody likes to stop reading in the middle of a chapter, so giving the reader the opportunity to frequently stop is perfect for the modern book world.

Next time you find yourself in the book aisle of your nearest department store, check out the chapter lengths of the newest releases, and you’ll see what I mean. Shorter chapters are a great trend that I hope hangs around for a long time.

– John McCool

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Book Announcement: The Ruse

I’m pleased to announce my new release: The Ruse!

So, what is this piece of fiction? The Ruse is actually a print version of my most successful screenplay to date in the festival circuit. It’s a coming of age tale about a lone girl in a post apocalyptic world that seeks to find a home for this first time in her life. When she does find that home, she’ll do whatever she must to protect it.

Readers will get and introduction from yours truly, the full festival screenplay, a analysis of why I wrote what I did, and am exclusive short story of what happens after the events. This print collection is a passion project of mine, and I can’t wait to share it with you.

The Ruse will be available March 31st on Amazon and Kindle!